Caldwell, Ellen C. "An Interview with Sam Durant."
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Davis, Genie. "Continuing and Recommended: Sam Durant."
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Kordic, Angie. "Blum and Poe LA Opens a Sam Durant Exhibition."
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Krug, Simone. "Critics' Picks: Sam Durant."
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Li, Jennifer S. "Exhibition Reviews: Sam Durant at Blum & Poe."
Miranda, Carolina A. "Datebook: Objects That Remix African and American, Paintings of Shangri-La, Peter Saul Before He Was Pop."
, January 5, 2017.
Remenchik, Jennifer. “Objects that Manifest the Contradictions of American History.”
, February 11, 2017.
, January 20, 2017.
Sargent, Antwaun. "Black Poets, 19th Century Transcendentalists Inspire a Sculptural Look at Race."
, January 31, 2017.
Bawden, Alexander. “Sam Durant: More than ½ the World at Sadie Coles HQ.”
, March 17, 2017.
Breen, Matt. “Sam DurantL More Than ½ the World.”
, accessed April 6, 2017 https://www.timeout.com/london/art/sam-durant-more-than-1-2-the-world
2016
Schwan, Henry. “Conversation Starter.”
Concord Journal, June 29, 2016, accessed June 29, 2016 http://concord.wickedlocal.com/news/20160629/conversation-starter
Almeida, Debora. “Concord’s Old Manse holds community discussions on African-American struggles.”
The Boston Globe, August 11, 2016, accessed August 11, 2016 https://www.bostonglobe.com/metro/regionals/west/2016/08/11/concord-old-manse-holds-community-discussions-african-american-struggles/4NfPB2ZulvFu8vejSqhxHI/story.html
McQuaid, Cate. “From America’s beginning to World’s End”
The Boston Globe, October 13, 2016, accessed October 13, 2016 https://www.bostonglobe.com/arts/art/2016/10/12/from-america-beginning-world-end/xfUrB0HuRtR1BKauJUGq8H/story.html
Colby, Celina. “Meet me at ‘The Meeting House’ History gets rewritten at Concord art installation.”
The Bay State Banner, October 6, 2016, p. 24.
Fair, Audrey. “Must-See Art Guide: Tokyo.”
Artnet News, January 7, 2016.
Forrest, Nicholas. "Domaine du Muy Welcomes New Artworks for 2016 Season."
Blouin ArtInfo, August 10, 2016.
Fort, Patrick. "Artist Sam Durant Teaches Art Critique and Learns From His Students."
Aspen Public Radio (Colorado), May 20, 2016.
Gardner, Mark. "Art in the Landscape at World's End & Old Manse."
Patriot Ledger [Quincy, MA], June 27, 2016.
Hiro, Rika. “Zen Interview 06: Sam Durant.”
Bijutsu Techo, 1044, vol. 68 (November 2016): 28-31.
Jansen, Charlotte. "Finding a Quiet Place for Contemplation at Art Basel 2016."
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Kimura, Eriko. "Artist Pick Up: Sam Durant."
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Cheng, Scarlet. "Top 10 Most Anticipated Highlights for Art Basel 2016."
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Angeleti, Gabriella. "Jeppe Hein and Sam Durant Create Reflective Works for Historic Sites in Massachusetts."
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Frank, Priscilla. “Historic ‘End White Supremacy’ Sign Reinstalled in New York City.”
Huffington Post, December 5, 2016, accessed December 5, 2016 http://www.huffingtonpost.com/entry/end-white-supremacy-sign_us_5841bd75e4b017f37fe46413
Miller, M.H.. “What You Missed at Miami Art Week.”
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The Daily Beast, December 4, 2016, accessed December 5, 2016 http://www.thedailybeast.com/galleries/2016/12/05/politics-fires-up-art-basel-miami-2016.html
Schachter, Kenny. “Kenny Schachter on Celebritism and ‘Arting’ at Art Basel in Miami Beach.”
artnet, December 5, 2016, accessed December 5, 2016 https://news.artnet.com/market/kenny-schachter-miami-2016-772034
Tully, Kathryn. “Trump-Inspired Works Sell Quickly At Art Basel Miami Beach.”
Forbes, December 4, 2016, accessed December 5, 2016 http://www.forbes.com/sites/kathryntully/2016/12/04/trump-inspired-works-sell-quickly-at-art-basel-miami-beach/#61283c471320
Miller, Isis. “Art Basel Miami Beach 2016 Brought Political Issues to the Forefront”
Miami New Times, December 4, 2016, accessed December 5, 2016 http://www.miaminewtimes.com/arts/art-basel-miami-beach-2016-brought-political-issues-to-the-forefront-8968611
Brenner, Steve. “Trump Comes Under Fire From Artists at Prestigious Art Basel Miami Beach.”
Heatstreet, December 4, 2016, accessed December 5, 2016 https://heatst.com/culture-wars/the-art-of-the-attack-trump-comes-under-fire-from-galleries-at-art-basel-miami-beach/
Palon, Nadia. “Here’s How Post-Election Anxiety Took Over Art Week Miami”
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Burton, Johanna, Shannon Jackson, and Dominic Willsdon, eds.
Public Servants: Art and the Crisis of the Common Good. Cambridge: The MIT Press, 2016, 61-62, 425.
2015
Miller, John.
Mike Kelley: Educational Complex. London: Afterall Books, One Work, 2015.
Foster, Hal.
Bad New Days: Art, Criticism, Emergency. London: Verso Books, 2015.
Metcalfe, John. “An Artist Built a Jail Outside Philadelphia’s City Hall.”
CityLab. October 8, 2015, accessed October 9, 2015. http://www.citylab.com/design/2015/10/an-artist-built-a-jail-outside-philadelphias-city-hall/409603/
Crimmins, Peter. “Philadelphia public spaces are canvas for Open Source art exhibit.”
NewsWorks. October 2, 2015, accessed October 9, 2015. http://www.newsworks.org/index.php/local/item/86801-philadelphia-public-spaces-are-canvas-for-open-source-art-exhibit
Scher, Robin. “’It’s a revolutionary idea that beauty should be available to all’: Sam Durant on ‘Labyrinth,’ his new public artwork in Philadelphia about mass incarceration.”
ArtNews. October 2, 2015, accessed October 9, 2015. http://www.artnews.com/2015/10/02/it-is-a-revolutionary-idea-that-beauty-should-be-available-to-all-sam-durant-on-labyrinth-his-new-public-artwork-in-philadelphia-about-mass-incarceration/
Purseglove, Laura. “A voice Remains – Pippy Houldsworth Gallery – Reactivating the Revolution.”
Art Lyst. April 30, 2015, accessed on October 9, 2015. http://www.artlyst.com/articles/a-voice-remains-pippy-houldsworth-gallery-reactivating-the-revolution
Vartanian, Hrag. “A Maze in Philadelphia Focuses Attention on the Hidden Cruelty of US Prisons.”
Hyperallergic, October 30, 2015, accessed November 16, 2015. http://hyperallergic.com/249555/a-maze-in-philadelphia-focuses-attention-on-the-hidden-cruelty-of-us-prisons/
Vigoda, Rachel. “Walk through Sam Durant’s “Labyrinth” for Open Source.”
Metro, October 12, 2015, accessed November 16, 2015.
2014
“The opposite of love is not hate but indifference”
We have met the enemy and he is us. The Hague: Stadium Generale at the Royal Academy of Art, 2014, pp 8-17.
Decter, Joshua.
Art Is a Problem. Zurich: JRP I Ringier, 2014.
“Surreal World”,
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Knode, Marilu. “Landscape is the Victim of History” in
Mound City. St Louis: Laumeier Sculpture Park, 2014, unpaginated (cat.).
Turkovic, Dana. “Our Giza” in Mound City. St Louis: Laumeier Sculpture Park, 2014, unpaginated (cat.).
Cooper, Ashton. "23 Questions for History-Inspired Artist Sam Durant."
Blouinartinfo.com, August 9, 2014, accessed August 10, 2014. http://www.blouinartinfo.com/news/story/1053085/23-questions-for-history-inspired-artist-sam-durant?
Robertson, Kirsty. “The Art of the Copy: Labor, Originality, and Value in the Contemporary Art Market” in
Putting Intellectual Property in Its Place. New York: Oxford University Press, 2014.
Martinez, Alanna. “Pausing to Talk Shop: Sam Durant and Robin D.G. Kelley on Surrealism at Paul Cooper.”
New York Observer. September 15, 2014, accessed September 16, 2014. http://observer.com/2014/09/pausing-to-talk-shop-sam-durant-and-robin-d-g-kelley-on-surrealism-at-paula-cooper/
Rottenberg, Silvia. “Art plays with literature, history at PROA.”
Buenos Aires Herald. September 9 2014, accessed September 16, 2014. http://www.buenosairesherald.com/article/169249/art-plays-with-literature-history-at-proa
Williams, Maxwell. “Art in the Trenches.”
Good. September 13, 2014, accessed September 16, 2014. http://magazine.good.is/articles/sam-durant-trench-art
Osborne-Bartucca, Kristen. “Sam Durant, Proposal for White and Indian Dead Monument Transpositions, Washington D.C.”
Art Fuse. August 12, 2014 accessed September 16, 2014. http://artefuse.com/2014/08/12/sam-durant-proposal-for-white-and-indian-dead-monument-transpositions-washington-d-c-123495/#comments
Rosenberg, Karen. “Sam Durant: ‘Invisible Surrealists.’”
New York Times. October 10, 2014, p. C26.
Plagens, Peter. “Art Review: Gallery exhibitions of Dave Hardy, Matthew Ritchie and Sam Durant.”
Wall Street Journal. October 10, 2014, accessed October 14 2014. http://online.wsj.com/articles/art-review-gallery-exhibitions-of-dave-hardy-matthew-ritchie-and-sam-durant-1412992042
Vartanian, Hrag. “The Revolutionary Postcolonial Imagination of Surrealism.”
Hyperallergic, October 17, 2014, accessed October 17, 2014. http://hyperallergic.com/154167/the-revolutionary-postcolonial-imagination-of-surrealism/
2013
Krell, Cynthia. "Sam Durant: What #isamuseum?" Museum off Museum, Bielefelder Kunstverein, December 17, 2013, accessed December 17, 2013. http://www.bielefelder-kunstverein.de/ausstellungen/2013/museum-off-museum-blog/cathy-carpenter-sam-durant.html
Casavecchia, Barbara. "Sam Durant: Propaganda of the Deed."
ArtReview, December, 2013, accessed December 5, 2013. http://artreview.com/reviews/december_2013_review_sam_durant/
Kooke, Sandra. "Kunstwerk will aandacht vragen voor doodstraf."
Trouw, October 21, 2013, 5
Rosenberg, Herman. "Kunstwerk 'Scaffold' in de Internationale Zone."
Den Haag Centraal, October 19, 2013 27
De Vries, Marina. "Ik wild at mijn vanderland het Internationaal Strafhof erkent."
Volkskrant, October 18, 2013 V19
Carroll, Vicky. "Edinburgh Art Festival, Jupiter Artland, Bonnington House."
The Big Issue, August 8, 2013, accessed August 8, 2013 http://www.bigissue.com/reviews/edinburgh-festivals/2821/edinburgh-art-festival-jupiter-artland-bonnington-house
Milliard, Coline. ""Gallows" Humor: Sam Durant on His Provacative Art."
Artinfo, May 22, 2013, accessed May 22, 2013. http://www.blouinartinfo.com/news/story/905228/gallows-humor-sam-durant-on-his-provocative-art
Mizota, Sharon. "Sam Durant's Social Media Movement: What #isamuseum?"
Artbound, KCET, July 12, 2013, accessed July 12, 2013. http://www.kcet.org/arts/artbound/counties/los-angeles/sam-durant-social-media-getty-what-isamuseum.html
Gawellek, Nelly. "Your true colors. What makes art."
ArtBlog Cologne, March 26, 2013, accessed March 26, 2013. http://www.artblogcologne.com/farbe-bekennen-was-kunst-macht/
2012
Battista, Kathy. "Documenta 13 - the preview." Phaidon online, June 6, 2012, accessed June 6, 2012.
http://www.phaidon.com/agenda/art/articles/2012/june/06/documenta-13-the-preview/
Marsh, Sarah and Tanya Wood. "What is art? German fair tests limits." Reuters online, June 8, 2012, accessed June 8, 2012.
http://www.reuters.com/article/2012/06/08/entertainment-us-germany-art-documenta-idUSBRE8570W020120608
Knöfel, Ulrike. "Power of the Curator: What the 13th Documenta Wants You to See."
DER SPIEGEL, issue 23/2012
Gopnik, Blake. "Art To Die For."
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http://www.thedailybeast.com/articles/2012/06/09/sam-durant-at-documenta-is-the-daily-pic-by-blake-gopnik.html
Searle, Adrian. "Documenta 13: Mysteries in the mountain of mud."
The Guardian online, June 11, 2012, accessed June 12, 2012.
http://www.guardian.co.uk/artanddesign/2012/jun/11/documenta-13-review?newsfeed=true
2011
Andrews, Jorella. "Contemporary Art, >Counter-Environmentalism<, and the Politics of A-Signification" in
Space (Re)Solutions: Intervention and Research in Visual Culture, New Brunswick and London: Transaction Publishers, 2011, pg 43-57
"Sam Durant
Propaganda of the Deed at Galleria Franco Soffiantino, Turin."
Mousse Magazine, December 8, 2011, accessed December 9, 2011.
http://moussemagazine.it/sam-durant-propaganda-of-the-dead-at-galleria-franco-soffiantino-turin/#more-14626
Simas, Rob. "Sam Durant: Smacking Capitalism In The Face."
Magnetic Magazine, November 16, 2011, accessed November 17, 2011.
http://magneticmag.com/2011/11/sam-durant-smacking-capitalism-in-the-face/
Cotter, Holland. "'Stargazers': 'Elizabeth Catlett in Cnoversation with 21 Contemporary Artists'."
New York Times, April 14, 2011, accessed April 15, 2011.
http://www.nytimes.com/2011/04/15/arts/design/stargazers-elizabeth-catlett-in-conversation-with-21-contemporary-artists.html?_r=2&ref=hollandcotter
2010
Gilman, Claire. "Marking Politics: Drawing as Translation in Recent Art."
Art Journal, Fall 2010, Vol. 69, No. 3, 118-121.
Knight, Christopher. "Zombie Architecture?."
Culture Monster, November 1, 2010, accessed November 2, 2010.
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Decter, Joshua. "Sam Durant: Paula Cooper Gallery."
Artforum, Summer 2010.
Laurence, Robin.
"First Nations/Second Nature examines everything from frisking poses to tangled flags." Straight, February 18, 2010.
Moss, Jennifer. "Inaugural show at Audain Gallery reaches out to Downtown Eastside neighbors."
The Vancouver Sun, February 4, 2010.
2009
Beradini, Andrew.
"2008 California Biennial." Frieze, March 2009, 150-151.
Gaines, Charles. "Reconsidering Metaphor / Metonymy: Art and the Suppression of Thought."
Art Lies, Winter 2009, No. 64, 48-57.
Knight, Christopher. "It’s freedom, or something like it."
Los Angeles Times, April 17, 2009, D14.
McKinnion, Kelsey. "Culver City: Fresh Paint."
C Magazine, April 2008, 28.
Sorkin, Jenni.
"Ours." Frieze, March 2009, 162-163.
2008
Anderson, Virginia Billeaud. "Old, Weird America explores American folklore."
Houston Weekly, May 20, 2008.
"Biennale ‘controversial’."
Australia World News, June 18, 2008.
Britt, Douglas.
"Artists explore a skewed history in Old, Weird America: CAMH exhibit relates skewed history." Houston Chronicle, July 9, 2008.
Delany, Max.
"16th Biennale of Sydney." Frieze, September, 2008, No. 117, 190.
Duncan, Michael. "The Spectacular Wrath of Saul: Peter Saul’s History Paintings." In
Peter Saul, 2008, 59. (cat.)
"Exhibit set to spark controversy."
The West Australian, June 17, 2008.
Gajkowski-Hill, Sarah. "Visual Art Review: Old Weird America."
Arts Houston, June 2008, 44-45.
Grabner, Michelle. "Makers and Modelers: Works in Ceramic."
X-TRA, Spring 2008, 54-57.
Gardner, Anthony. "Preview: Biennale of Sydney."
Artforum, May 2008.
Jasper, Adam. "More Than Spin: Sydney Biennale."
Art Review, June 2008, 38.
Jinman, Richard.
"Controversy hangs around Biennale poster." Sydney Morning Herald, June 24, 2008.
Kastner, Jeffrey.
"Party Lines." Art & Auction, July 2008, 75-81.
Klaasmeyer Kelly.
"The Old Weird America: Folk Themes in Contemporary Art, A CAMH exhibition unearths this country’s strangeness." Houston Press, June 26-July 2, 2008.
Knight, Christopher.
"Don’t take it lying down." Los Angeles Times, November 5, 2008, E1, E6.
Sonnenborn, Katie.
"Makers and Modelers." Frieze, March 2008, 182.
Vogel, Carol.
"Inside Art: Finalists Named For Hugo Boss Prize." New York Times, January 4, 2008.
Webel, Scott.
"The Old, Weird America." Fluent~Collaborative: …might be good, June 13, 2008.
Wolin, Joseph R. "Reviews: Unmonumental."
Modern Painter, May 2008.
2007
Bogle, Allie. "Sam Durant."
Artillery, May 2007, 33.
Bombelli, Ilaria. "Sam Durant."
Flash Art, n. 262, February-March 2007, 110.
Burnham, Clint.
"Sam Durant." Akimbo AKIMBLOG, March 29, 2007.
Castelli, Stefano.
"Sam Durant." Exibart.com, January 18, 2007.
Dersken, Jeff.
The Poetics of Bad History, Vancouver: CJ Press, 2007.
Dykk, Lloyd.
"A not-so-hokey look at the dark side of the Pilgrims." The Vancouver Sun, Friday, March 30, 2007.
Falconer, Morgan. "Sam Durant."
Time Out New York, April 19-25, 2007, 72.
Gaines, Malik.
"Sam Durant: Shaping History." Art Review, February 2007/Issue 08, 0-57.
Hanks, Robert. "The Art of War: Bringing the Dead Home."
The Independent, April 27, 2007, 2-4.
Keough, Jeffrey, "Curator’s Foreword."
Sam Durant: Scenes from the Pilgrim Story: Myths, Massacres and Monuments. Boston, MA: Massachusetts College of Art, 2007, 7-9. (cat.)
Ketchum-Heap of Birds, Shanna. "On Legitimizing the Body Politic: America’s Founding Myth Reconsidered."
Sam Durant: Scenes from the Pilgrim Story: Myths, Massacres and Monuments, Boston, MA: Massachusetts College of Art, 2007, 12-25. (cat.)
Lindey, Christine.
"Iraq War: A vital theme." Morning Star, June 4, 2007.
"Memorial to the Iraq War."
Metro London, May 24, 2007.
"Sam Durant."
The New Yorker, April 30, 2007, 8.
Pagel, David.
"Exposing myths of the Pilgrims." Los Angeles Times, Friday, March 16, 2007.
2006
Casavecchia, Barbara. "Manichini e installazioni rovesciano I miti made in Usa."
La Repubblica, November 25, 2006, X.
Delux, Bertrand. "Sam Durant."
02, December 2006, 62.
Kurtz, Katie. "Black Panther Rank and File."
Art Papers, July / August 2006, 46-47.
Johnson, Ken. "He Reconstructs Dioramas to Deconstruct Historical Myths."
Boston Globe, Living Arts, Wednesday, November 22, 2006.
Johnson, Ken. "Notes from the Wunderground, and more."
Boston Sunday Globe, Arts & Entertainment, Sunday, December 31, 2006.
Morgan, Margaret. "Regarding Beauty." In
A Companion to Contemporary Art since 1945, edited by Amelia Jones. Malden, MA: Blackwell Publishing, 2006.
Park, Manu, ed. and the Busan Biennale Organizing Committee. "Sam Durant."
Contemporary Art Exhibition, Busan Biennale 2006, Tale of Two Cities: Busan-Seoul / Seoul-Busan, Korea: Artbooks Publishing Corp., 84-85. (cat.)
Travaglini, Cristina. "Sam Durant."
Mousse, n. 5, December 2006, 6-9.
2005
Casadio, Mariuccia. "Sunset Rising."
Vogue (Italia), January 2005, 370-376.
Casadio, Mariuccia. "Artists On Art In 2005 (Sam Durant-Dee Williams)."
Vogue (Italia), February 2005, 342.
Coles, Alex.
Design Art, London: Tate Publishing, 2005, 116-117.
Gaines, Malik. "Sam Durant." In
Moscow Biennial of Contemporary Art: Dialectics of Hope, Moscow: ArtChronika, 2005, 106-109. (cat.)
Johnson, Ken."Reviews: Sam Durant."
New York Times, October 28, 2005, B28.
Kline, Christina. "Reviews: Sam Durant."
Art Papers, January/February 2005, 54.
Kraus, Chris. "Sam Durant." In
LA Artland, London: Black Dog Publishing, 2005, 170-171.
Laubard, Charlotte. "Dossier Alterminimal."
02 Revue D'Art. No. 34, 2005, 22.
Outpost, Boston, MA: Stephen D. Paine Gallery, Massachusetts College of Art, 2005. (cat.)
McFadden, Jane. "Los Angeles: Then and Now, Here and There." In
LA Artland, London: Black Dog Publishing, 2005, 40-57.
Pagel, David.
"A lens and a mirror." Los Angeles Times, September 7, 2005, E3.
Saltz, Jerry.
"Blood Monument." The Village Voice, October 19-25, 2005, 76.
Schwendener, Martha.
"Reviews: Sam Durant." Time Out New York, October 20-26, 2005, 71.
Scott, Andrea.
Vitamin D: New Perspectives in Drawing, London: Phaidon, 2005, 86-89.
Goings On About Town: Sam Durant."
The New Yorker, October 24, 2005, 20.
Wagner, Alex. "Re-Visionist: Sam Durant's American History."
Fader, July/August 2005, 50.
2004
Baldessari, John and Meg Cranston.
100 Artists See God, New York: Independent Curators International, 2004, 17. (cat.)
Bourriaud, Nicolas.
Playlist, Paris: Palais de Tokyo, February 2004, 48. (cat.)
Burke, Greg. "Entropy in Reverse." In
Sam Durant: Entropy in Reverse, New Plymouth, New Zealand: Govett-Brewster Art Gallery, 2004, 5-6. (cat.)
Carter, Holland.
Art; Duck! It’s Whitney Biennial Season Again." New York Times, March 7, 2004, AR 29.
Dambrot, Shana Nys. "Sam Durant at Blum & Poe."
Artweek, December 2004/January 2005, 17-18.
Danto, Arthur. "The Kids Are Alright."
The Nation, May 17, 2004, 32-36.
Diez, Renato. "Alla Bienale del Whitney: Torna la Pittura."
Arte, April 2004, 104-111.
Doroshenko, Peter. "Interview with Sam Durant." In
Sam Durant: 12 Signs, Transposed and Illuminated (with various indexes). Ghent, Belgium: S.M.A.K. (Stedelijk Museum voor Actuele Kunst), 2004, 64-68. (cat.)
Fisher, Elizabeth and Michael Harrison.
Rear View Mirror, Cambridge, United Kingdom: Kettle’s Yard University of Cambridge, 2004, 3-8 & cover. (cat.)
Flatley, Jonathan. "The Agency of Letters."
Afterall, Issue 10, 92-98.
Foster, Hal. "An Archival Impulse."
October, vol 110, Fall 2004, 3-22.
Herrmann, Matthias.
"Monica Bonvicini/Sam Durant." Camera Austria, 86/2004, 29-39.
Higa, Karin. "Interested In Signs: Sam Durant In Conversation."
Wrong Times, Summer 2004, 8.
Higgs, Matthew.
Likeness: Portraits of Artists by Other Artists, New York: Independent Curators International and CCA Wattis Institute, February 2004, 45. (cat.)
Kimmelman, Michael.
"Touching All Bases At the Biennial." New York Times, March 12, 2004, B25, B36.
Knight, Christopher.
"Binary days at the Biennial." Los Angeles Times, April 11, 2004, E43.
Knight, Christopher.
"Coastal Confluence." Los Angeles Times, February 1, 2004, E41, E48, E49.
Leclere, Mary.
"Speaking of Others." Afterall, Issue 10, 82-91.
Leclere, Mary. "The Time of the Now." In
Sam Durant: 12 Signs, Transposed and Illuminated (with various indexes). Ghent, Belgium: S.M.A.K. (Stedelijk Museum voor Actuele Kunst), 2004, 50-62. (cat.)
Martín, Patricia.
Edén, Ghent, Belgium: Snoeck-Ducaju & Zoon, N.V., April 2004, 121. (cat.)
Pagel, David. "Solidarity in rock throwing."
Los Angeles Times, September 24, 2004, E28-E29.
Plath, Nils. "Rewinding Histories, Artful Disassembling: views of works by Sam Durant."
Sam Durant: Entropy in Reverse. New Plymouth, New Zealand: Govett-Brewster Art Gallery, 2004, 9-25. (cat).
Probst, Ursula Maria. "Break It/Fix It."
Derive, 15/2004, 27.
Smith, Roberta.
"Emerging Talent, And Plenty of It." New York Times, March 12, 2004, B25, B30.
Studio, Israeli Art Magazine, May/June 2004, 12-17.
Tumlir, Jan. "Review: Sam Durant."
Artforum, December 2004, 202.
Wilshire, Mark. "Review: Rear View Mirror."
Art Monthly, November 2004, 281.
2003
Art Review, July/August 2003, 47.
Berwick, Carly. "Sam Durant."
Vogue Hommes International, Spring/Summer 2003, 150-151.
Collins, Thom. "Sam Durant."
Somewhere Better Than This Place, Cincinnati, Ohio: Contemporary Arts Center, 2003, 114-115. (cat.)
Deller, Jeremy. "Strange Fruit."
Dazed and Confused, October 2003, Vol. 2, Issue 6, 140-147.
Fox, Dan.
"Like a rolling stone." frieze, April 2003, 70-73.
Gaines, Malik. "Sam Durant."
Tema Celeste, February 2003, 64-69.
Higgs, Matthew. "Sam Durant."
Baja to Vancouver: The West Coast and Contemporary Art, San Francisco: CCA Wattis Institute, Museum of Contemporary Art San Diego, Seattle Art Museum and Vancouver Art Gallery, 2003, 48-49. (cat.)
Hofleitner,Von Johanna."Den Raum buchstablich zerlegen."
Die Presse, November 29-30, 2003.
Joselit, David.
"Sam Durant at Museum of Contemporary Art, Los Angeles." Artforum, January 2003, 130-132.
Mittringer, Markus. "Sprache und Architektur in ratlosem Gegenuber."
Der Standard, November 28, 2003, 26.
Rattemeyer, Christian. "Die Neue Referenzklasse Sam Durant in Los Angeles und Düsseldorf."
Texte Zur Kunst, June 2003, 209-214.
2002
Baume, Nicholas. "Sam Durant: Following the Signs."
Sam Durant/Matrix 147: 7 Signs; removed, cropped, enlarged and illuminated (plus index), Hartford, CT: Wadsworth Atheneum, (exhibition brochure).
Darling, Michael. "Sam Durant’s Riddling Zones."
Sam Durant, Germany: Hatje Cantz Publishers and The Museum of Contemporary Art, Los Angeles, October 2002, 11-53. (cat.)
Greenlee, Gina."Like, Man, What is This Sign Trying to Tell Me?"
The Hartford Courant, July 16, 2002, A9.
Harvey, Doug. "Sam & Dave: The Politics of Mixology."
LA Weekly, October 18- 24, 2002, 32-33.
Kerr, Merrily. "From the Observatory at Paula Cooper Gallery, New York."
Flash Art, May/June 2002, 82.
Kersting, Rita. "Interview With Sam Durant."
Sam Durant. Germany: Hatje Cantz Publishers and The Museum of Contemporary Art, Los Angeles, October 2002, 57-79. (cat.)
Knight, Christopher. "In a Distinctly American Groove."
Los Angeles Times, November 2, 2002, E1, E10, E11.
Mahony, Emma. "Anyone can play guitar."
Air Guitar: Art Reconsidering Rock Music, England: Milton Keynes Gallery, 2002, 7-11. (cat.)
Molon, Dominic. "Deceptive Spaces, Dysfunctional Places."
Out of Place: Contemporary Art and the Architectural Uncanny, Chicago: The Museum of Contemporary Art Chicago, June 2002, 9. (cat.)
Morgan, Jessica. "Artists Imagine Architecture Essay."
Artists Imagine Architecture, Boston: The Institute of Contemporary Art, 2002, 4-46. (cat.)
Nickas, Bob. "Preview Fall 2002: Sam Durant at The Museum of Contemporary Art Los Angeles."
Artforum, September 2002, 72-73.
Rosoff, Patricia. "Sign Language."
The Hartford Advocate, July 25, 2002, 21.
Schürmann, Wilhelm, "Sam Durant: Re-cycled Upside-Down and Backward."
Prophets of Boom: Werke aus der Sammlung Schürmann, Baden-Baden, Switzerland: Kunsthalle Baden-Baden, Summer 2002, p. 70-81.
Young, Kevin. "Cover Song."
Sam Durant, Germany: Hatje Cantz Publishers and The Museum of Contemporary Art, Los Angeles, October 2002, 83-109. (cat.)
2001
Coles, Alex. "Revisiting Robert Smithson in Ohio: Tacita Dean, Sam Durant and Renee Green."
Parachute 104, Fall 2001, 128-137.
Comer, Stuart. "Sam Durant Interviewed by Stuart Comer."
Untitled, Spring 2001, 7-9.
"Sam Durant at Emi Fontana."
Flash Art, August-September 2001, 97-98.
Kern, Kristine. "Kritisk kunst."
Politiken, March 31, 2001.
Pagel, David. "Exhibition Accents a Modern Masterpiece."
Los Angeles Times, March 24, 2001, F18.
2000
Campbell, Clayton. "Sam Durant at Blum & Poe."
Flash Art, January/February 2000, 118.
Hettig, Frank-Alexander. "Sam Durant."
Metropolis M, June-July 2000, 50-53.
Ichihara, Kentaro. "Sam Durant."
Bijutsu Techo, March 2001, 146-152.
Meyer, James. "Impure Thoughts: The Art of Sam Durant."
Artforum, April 2000, 112-117.
Pagel, David. "Durant’s Pretend Theme Park Sends History Rockin’, Rollin’."
Los Angeles Times, November 3, 2000, F24.
Relyea, Lane. "Less a Review Than a Long Digression On Sam Durant’s Show At Blum & Poe."
Xtra, Volume 3, Issue 2, 8-10.
Russell, John. "The Proliferation of New Ways to Draw."
New York Times, August 18, 2000.
Schimmel, Paul. "Entropy Made Visible."
ForwArt: a choice, Belgium: Cultural BBL, 2000, 35-39. (cat.)
Tumlir, Jan. "Baldessari’s Urn:’90’s Art in Los Angeles."
artext, November 2000-January 2001, 42-51.
1999
Bonik, Manuel. "'Entropy at Home’, Suermondt-Ludwig-Museum."
Flash Art, March/April 1999, 44.
Janssen, Gregor. "Zum Sleep-In auf dem Holzschuppen."
die tageszeitung, September/November 1999, p. 72-73.
Joyce, Julie. "Sam Durant at Blum & Poe."
Art issues, November/December 1999, 45.
Knight, Christopher. "Publicly Funded Artists Rise to Challenge."
Los Angeles Times, June 4, 1999, F16.
Labelle, Charles. "Escape Trajectory, Mike Davis’s latest book, Ecology of Fear, envisions Los Angeles as a disaster-prone city of suspicion."
World Art, Issue 20, 40-45.
Miles, Christopher. "Sam Durant, Blum & Poe."
Artforum, November 1999, 148.
Pagel, David. "Sam Durant Takes a Look Back(ward) at Social History."
Los Angeles Times, September 24, 1999, F26.
Romer, Stefan. "What Your Children Should Know About Conceptualism/Neuer Aachener Kunstverein, Aachen."
Kunstforum, December/January 1999-2000, p. 348.
Schollhammer, Georg. "A Living Theater."
Springerin, September/November 1999, 72-73.
1998
Auerbach, Lisa Anne "‘Trash’ at L.A. Municipal Art Gallery."
LA Weekly, April 3-9, 1998, 55.
Baltin, Brian. "Small is Psychedelic, Los Angeles under a microscope."
LA Weekly, November 27 - December 3, 1998, p. 47.
Miles, Christopher. "Sam Durant: Going With the Flow."
Art/Text, November 1998-January 1999, no. 63, 48-53.
Wilson, William. "'Lilliput’: Small Art in the Big City of L.A."
Los Angeles Times, November 24, 1998, F10-F11.
1997
Auerbach, Lisa Anne.
LA Weekly, December 27-January 2, 1997, 40.
Butler, Cornelia H. "Power of Suggestion,"
The Power of Suggestion: Narrative and Notation in Contemporary Drawing, Santa Monica, CA: Museum of Contemporary Art, Los Angeles, CA & Smart Art Press, 11.
Curtis, Cathy. "The Cold Shoulder."
Los Angeles Times, October 17, 1997, F2.
Greene, David A.
Artissues, January - February 1996, 46.
Hainley, Bruce. "The Power of Suggestion."
Artforum, February 1997, 82.
Helfand, Glen. "Sam Durant and Anne Walsh at Four Walls."
The San Francisco Bay Guardian, October 1-7, 1997, 31.
Kim, Soo Jin. "Some Models."
Xtra, Spring 1997, 7-8.
Melrod, George. "Sam Durant."
Art & Auction, February 1997, 30.
Pagel, David. "Finding Ways to Break Out of a Box of Conformity."
Los Angeles Times, February 21, 1997, F28.
Schmerler, Sarah. "Sam Durant at Curt Marcus."
Artnews, November 1997, 226.
Sheikh, Simon. "L.A. From the Sunny Side."
Information, September 12, 1997.
1996
Auerbach, Lisa Anne.
Artforum, January 1996, 89.
Greene, David A. "LA Story."
Art Monthly, February 1996, 8-10.
Greene, David A, ed. "Art & The Home; Sam Durant: Project."
Art & Design, November/December 1996, 23-32.
Knight, Christopher. "Can Artists Run Their Own Spaces and Find True BLISS."
Los Angeles Times, December 27, 1996, F1, F38.
Knight, Christopher. "Drawing the Conventional Conceptualist’s Conclusions."
Los Angeles Times, November 12, 1996, F3.
Pagel, David.
Los Angeles Times, July 11, 1996, F5.
Pagel, David.
Los Angeles Times, July 25, 1996, F13.
Wilson, William.
Los Angeles Times, November 22, 1996, F24.
1995
Barrett, David.
frieze, Summer 1995.
Craddock, Sacha.
London Times, April 9, 1995.
Feaver, William. "Strange Habits and Sharp Practice."
London Observer, April 23, 1995.
Grabner, Michelle. "The Friendly Village."
Art Muscle, October/November 1995, 13-22.
Kandel, Susan. "Grouped Together to Stand Apart."
Los Angeles Times, January 12, 1995.
Kastner, Jeffrey.
frieze, Summer 1995.
Kent, Sarah. "Art Review."
Time Out, April 1995.
Klabin, Karen. "Safe as Houses."
Detour, November 1995, 135.
Knight, Christopher. "Deconstruction."
Los Angeles Times, October 28, 1995, F6.
Marino, Melanie.
Art in America, July 1995.
McEwan, John. "Critic’s Choice."
Sunday Telegraph, April 23, 1995.
O’Reilly, John. "Art for Bart’s Sake."
Modern Review, April 10, 1995.
1994
Pagel, David. "Self-Help Culture Skewered at FOODHOUSE."
Los Angeles Times, April 21, 1994, F7.
Walker, Hamza, James Scarborogh, Brad Killam, Kathryn Hixson and Joe Jarrell.
Sculpture, July/August 1994.
1993
Crosby, Gregory. "The Professor’s Guide to Vegas Kulcher."
SCOPE, October 1993.
Curtis, Cathy. "Painting Pictures."
Los Angeles Times and Orange County Register, October 14, 1993.
Devine, Rory. "Heaven Missing."
Picturebook #4, 1993.
Littlefield, Kinney. "A Check of Contemporary Art."
Orange County Register, October 1, 1993.
Pincus, Robert. "Showcase of an Art Generation has few Flashes of Brilliance."
San Diego Union Tribune, October 17, 1993.
Wilson, William. "Biennial Uses Humorous Paradox to Tackle Issues."
Los Angeles Times, October 9, 1993.
Wilson, William. "Private Thoughts Go Public at Newport Harbor."
Orange County Register, October 6, 1993.
Smith, Roberta.
New York Times, September 10, 1993.
1992
Pagel, David."Overdose of Vagueness."
Los Angeles Times, May 15, 1992.
PUBLICATIONS
2012
Freedom?. Edited by Sam Durant. Kassel, A project to accompany
Scaffold at
dOCUMENTA (13)
"The Church of Ethical Cynicism." by Luis Camnitzer and Sam Durant.
Mousse Magazine, February-March, 2012, n. 32, 198-203.
2011
"Edward Said, Music at the Limits and Parallels and Paradoxes: Explorations in Music and Society."
This Long Century, December, 2011, 159, accessed December 14, 2011.
http://www.thislongcentury.com/?p=4959&c=159
"Américas/Americas." In
8a Bienal de Arte de Panamá/8th Panama Art Biennial, 48-53. Panama: Fundacion Arte y Cultura, 2011.
"It Speaks to Me: Sam Durant on a 1953 Cold War poster at the Wende Museum in Culver City."
Culture Monster, July 20, 2011, accessed July 21, 2011.
http://latimesblogs.latimes.com/culturemonster/2011/07/it-speaks-to-me-sam-durant-on-a-1953-cold-war-poster-at-the-wende-museum-in-culver-city.html
2010
"Hans Haacke, The Power That Artists Have." Flash Art, January–February 2010, Vol. XLIII, No. 270, 50-54.
2009
DIY: ID 517 Spring 2009. Edited by Nancy Buchanan and Sam Durant. Los Angeles: Lulu, 2009.
(A project with students of CalArts)
2008
ID 517: Special Topics in Art and Politics: A Not So Simple Case for Torture. Edited by Nancy Buchanan and Sam Durant, Paris: One Star Press, 2008.
(A project with students of CalArts)
2007
Black Panther: The Revolutionary Art of Emory Douglas. Edited by Sam Durant, New York: Rizzoli International Publishers, 2007.
"Production Notes."
Artforum, October 2007, XLVI, No. 2, p. 335.
2005
"Notes on Drift, Monuments: For Robert Smithson, L.A. MOCA October 2004." In
Drift, New York: GAS Gigantic ArtSpace, 2005.
"Proposal for White and Indian Dead Monument Transpositions, Washington, D.C." In
Proposal for White and Indian Dead Monument Transpositions, Washington, D.C., New York: Paula Cooper Gallery, 2005, 5-9.
"Proposal for White and Indian Dead Monument Transpositions, Washington, D.C." In
Monuments for the USA, San Francisco: California College of the Arts, 2005, 54-57.
2004
"What the world needs now…Art and Politics: 22 artists respond."
frieze, November/December 2004, 76-89.
2002
"Text on the Double Woodshed." In
Prophets of Boom: Werke aus der Sammlung Schürmann. Baden-Baden, Switzerland: Kunsthalle Baden-Baden, Summer 2002, 154.
"Roots."
V Magazine, November/December 2002.
"Top Ten."
Artforum, November 2002, 71.
2001
"Saving Graces."
Artforum, May 2001, XXXIX, No. 9, 151-152.
CURATORIAL PROJECTS
2009
Black Panther: The Revolutionary Art of Emory Douglas, The New Museum, New York
The Permanent Record of Newjack Rasputin: the Work of Tucker Stilley, Monte Vista, Los Angeles, CA
2008
All Power to the People: The History and Legacy of the Black Panther Party Film Festival, REDCAT/CalArts Theater, Walt Disney Concert Hall, Los Angeles.
2007
Black Panther: The Revolutionary Art of Emory Douglas, MOCA.
2006
Eat the Market, Los Angeles Contemporary Museum of Art
2004
War! Protest in America, 1965-2004, film series co-organized with Chrissie Isles, Whitney Museum of Art, New York, REDCAT/CalArts Theater, Los Angeles, CA
1999
Not Photography, Rosamund Felsen Gallery, Santa Monica, CA
1994
The Power of Positive Thinking, FOODHOUSE, Santa Monica, CA
Paranoid, M.Y.T.H. Series, Los Angeles, CA (co-organized with Andrea Bowers)
SELECTED CONFERENCES, PANEL DISCUSSIONS, WORKSHOPS
2017
“The Murder of Fred Hampton” The Struggle Continues, REDCAT, panel discussion with Erika Huggins and Rogin Kelley
“Kids’ Campaign to Correct History”, Kids Pop-Up Studio at the Hammer Museum with Elisa Harkins, Hammer Museum, Los Angeles
Artist Walk Through: Sam Durant on Jimmie Durham, Hammer Museum, Los Angeles
SOMA Summer 2017: Authority, lecturer, Mexico City
2016
Crit Sessions, Aspen Art Museum, Aspen
Race and Justice, Parcours Talk, with Tracey Rose, moderated by Sabine Breitwieser, Art Basel, Basel
Lyceum I-IV, organized as part of
The Meeting House, Old Manse, Concord and The Trustees of Reservation
Art & the Landscape initiative. (
Lyceum I: The Picnic with Nina LaNegra and Fulani;
Lyceum II: Poetry Reading with Tisa Bryant, Danielle Legros Georges, Robin Coste Lewis and Kevin Young;
Lyceum III: A New Framework for Dialogue with Adam Foss, Barbara Lewis, Penny Outlaw, Tim Phillips and Gilead Sher;
Lyceum IV: New England Town Hall Meeting with Pedro Alonzo, Sam Durant and Mary Jane Jacob)
The Art of Inclusion: Making the Invisible Visible, Keynote, as part of
Building An Inclusive City: A New conversation on Race, Bias & Divided Communities conference, with Rick Lowe, moderated by Pedro Alonzo, MIT, Boston.
2015
Unwinding the Labyrinth, with Timothy Phillips, Darius Monrow, and Maria Gaspar. Moderated by Pedro Alonzo. Pennsylvania Academy of the Fine Arts, Philadelphia (as part of Open Source)
Noah Purifoy: From Watts with 66 Signs of Neon to the Gallows, with Sue Welsh, Naima Keith, Michael Massenburg, Dr. Lizzetta Le-Falle Collins. Moderated by Franklin Sirmans and Yael Lipschutz, Los Angeles County Museum of Art
Sam Durant & Charles Gaines, Hammer Museum, Los Angeles
Sam Durant and Candice Hopkins, Kemper Art Museum, St. Louis
2014
Public Art Fund Talks at the New School: Encounters: Artists, Cities and Communities, New School, New York
“The Ruins of Mound City” (with Juan William Chavez) as part of
Monument/Anti-Monument, conference, St Louis
Political Art Across Disciplines, with Bernice Reynaud and Travis Preston, as part of WHAP! 2014 Lecture series, presented by the CalArts’ MA Aesthetics and Politics Program and the City of West Hollywood
2012
Fowler OutSpoken Conversation: Liza Lou and Sam Durant on Conceptualization and Collaboration, Liza Lou and Sam Durant, moderated by Alma Ruiz, Fowler Museum, Los Angeles
Conversation between Rigo 23, Caleb Duarte, and Sam Durant, part of
Autonomous InterGalactic Space Program, REDCAT, Los Angeles
2011
Plática Inaugural: La Reconstrucción de Los Hechos (Inaugural Conversation: The
Reconstruction of the Facts), Sam Durant and Marcos Ramírez Erre, Museo de Arte
Carrillo Gil, Mexico City
West Hollywood Aesthetics and Politics lecture series (WHAP!): Street Art, Sam Durant, Marquis Lewis, and Jeffrey Deitch, West Hollywood Library, West Hollywood, CA
2010
Hammer Conversations, Tom Morello and Sam Durant, Hammer Museum, Los Angeles
2009
Workshop: Art and Community Engagement, with Transforma Collective (with Rick Lowe and Jessica Cusick) UCLA Hammer Museum, Los Angeles
2008
Word: Spoken, Sung, Seen, Biennale of Sydney, Sydney, Australia
Parsons New School for Social Research, New York
Proyecto Cívico, Centro Cultural Tijuana, Baja, Mexico
Artist and Activist, Orange County Museum of Art, Newport Beach, CA University of Southern California, Los Angeles (with Rick Lowe)
In Dialogue with Emory Douglas, San Francisco Art Institute, CA
2007
This Must Be The Place, Smithsonian National Museum of the American Indian, Venice Biennale, Venice, Italy
Eat the Market, Los Angeles County Museum of Art. Los Angeles, CA
Black Panther Rank and File, Maryland Institute College of Art, Baltimore, MD
2006
Institutional Critique, Yale University, New Haven, CT
2005
InSite, University of California, San Diego, CA
2004
NAFTA, Museum of Contemporary Art, San Diego, CA
War! Protest In America, 1965-2004, REDCAT/CalArts Theater, Los Angeles, CA
2001
Wild Walls Symposium, Berlin/Los Angeles Film Festival of Architecture And Urbanism, University of Southern California, Los Angeles, CA
Take Two/Reprise: Symposium, The Ottawa Art Gallery, Ottawa, Canada
2000
Practical Criticism: Art and Theory in the 90s, Pacific Design Center, Los Angeles, CA (organized by Charles Gaines and Russell Ferguson)
1997
Fake Estate: Where Art and Architecture Meet, Los Angeles Forum for Architecture and Urban Design, MAK Center for Art and Architecture, Los Angeles, CA (moderated by Cornelia H. Butler)
PUBLIC COLLECTIONS
Art Gallery of Western Australia, Perth
Berkeley Art Museum, Berkeley
Fonds National d’Art Contemporain, Paris
Guggenheim Museum, New York
Hammer Museum, Los Angeles
Henry Art Gallery, Seattle
Institut d’Art Contemporain Villeurbanne, Lyon
Los Angeles County Museum of Art, Los Angeles
Museum of Modern Art, New York
The Museum of Contemporary Art, Los Angeles
The Museum of Contemporary Art, San Diego
Nasher Museum of Art at Duke University, Durham
The Ottawa Art Gallery, Ottawa
Project Row Houses, Houston
Rochester Memorial Art Gallery. Rochester
Stedelijk Museum voor Actuele Kunst, Ghent
Tate Modern, London
Vancouver Art Gallery, Vancouver
Wadsworth Atheneum Museum of Art, Hartford
Walker Art Center, Minneapolis
Whitney Museum of American Art, New York
PUBLIC COMISSIONS
2016
Dreaming Mantas, Mexico City, Mexico (public art project as part of Alumnos47 Foundation’s Proyecto Liquido)
Meeting House, Old Manse historic landmark, Concord, Ma (public project sponsored by Trustees of the Reservation’s Art in the Landscape initiative)
2015
Labyrinth, Mural Arts, City of Philadelphia, Philadelphia
2013
Scaffold, Stroom Den Haag, The Hague
2005
Public Prosecutors’ Office, City of Arnhem, the Netherlands
2003
Project Row Houses, Houston, TX
Walker Art Center, Minneapolis, MN
GRANTS AND AWARDS
2008
Hugo Boss Finalist, Solomon R. Guggenheim Foundation and Hugo Boss Prize, New York, NY
Smithsonian Artist Research Fellow, Smithsonian Institution, Washington, D.C.
2006
United States Artists Fellow, USA Foundation, New York, NY
2005
The Ordway Prize Finalist, Penny McCall Foundation, New York, NY
2002-2003
Walker Art Center Artist in Residence, Minneapolis, MN
1999
Individual Artist Grant, Department of Cultural Affairs, City of Los Angeles, Los Angeles, CA
OTHER PROJECTS
2008
All Power to the People: The History and Legacy of the Black Panther Party Film Festival, REDCAT/CalArts Theater, Walt Disney Concert Hall, Los Angeles, CA
2007
Black Panther:The Revolutionary Art of Emory Douglasedited by and with an introduction by Sam Durant, with contributions by Danny Glover, Bobby Seale, Sonia Sanchez, Kathleen Cleaver, Colette Gaiter, Greg Jung Morozumi, Amiri Baraka, and St. Clair Bourne, published by Rizzoli, New York, NY
2006
Harlem Postcards Summer 2006, Studio Museum Harlem, New York, NY
2005
The Other Side/El Otro Lado (Regionalism, Nationalism, Imperialism), artist multiple, Chinati Foundation, Marfa, TX